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The Soaring Highs and Squawking Lows of Sir Lord Baltimore’s ‘Kingdom Come’

Discover the pioneering sounds of Sir Lord Baltimore’s ‘Kingdom Come’ and the contentious response to its distinctive vocals.
By VIBING
By VIBING
When Sir Lord Baltimore released their groundbreaking ‘Kingdom Come’ album, it was more than just an addition to the proto-metal genre. It was a sonic expedition that both soared and puzzled in equal measure.

Lasting musical impressions are often a product of innovation, risk-taking, and the audacious blending of styles. Enter Sir Lord Baltimore, a name that stirs images of gutsy proto-metal-infused beats from an era when rock was charting new territories. Their debut album Kingdom Come was an explosive entry into the music world, heralded by many as a pioneering classic. But it was their vocals that split the sky and the opinions of fans and critics alike.

  • With a foundation built on heavy riffs and thunderous drums, the band’s sound was undeniably robust and raw.

  • Yet, when the vocals entered, they sent listeners into a frenzy—a cacophony to some, an innovative twist to others.

  • While the album resonated with a 60s vibe, its heart palpitated with the ferocity of the 70s.

Despite the contention, Kingdom Come remains a significant piece in the history of hard rock and early heavy metal, noting the bold, unapologetic approach of Sir Lord Baltimore as true trendsetters.
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