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Vampire Weekend Rises Again with ‘Only God Was Above Us’ – An Ode to 20th Century NYC

Get ready to sink your teeth into Vampire Weekend’s anticipated return with ‘Only God Was Above Us’, an album inspired by the soul of 20th Century NYC.
By VIBING
At long last, the indie rock sensation Vampire Weekend breaks their silence, heralding a grand return to the music scene. ‘Only God Was Above Us’ promises to be a contemporary classic, rooted in the gritty nostalgia of 20th Century New York City.

The indie rock scene is abuzz as Vampire Weekend makes a monumental comeback with ‘Only God Was Above Us’, their first studio album in half a decade. With its roots firmly planted in the rich cultural tapestry of 20th Century New York City, the record is a testament to the band’s evolution and enduring appeal.

  • Album Launch: The unveiling of ‘Only God Was Above Us’ is set for 5th April, a date fans eagerly await.
  • Singles Preview: Two tracks, ‘Capricorn’ and ‘Gen-X Cops’, will tantalize listeners on 16th February.
  • Global Production: The album’s creation spanned the globe, with recording sessions from Manhattan to Los Angeles, London to Tokyo.
  • Collaborative Genius: The album enjoyed the production expertise of Ezra Koenig and Ariel Rechtshaid, with Dave Fridmann’s mixing prowess and Emily Lazar’s mastering touch elevating the final product.
  • Artful Origins: Even the title ‘Only God Was Above Us’ is drawn directly from its evocative album artwork.

The anticipation for ‘Only God Was Above Us’ is heightened by the promise of a special outdoor show at the Moody Amphitheatre in Austin, Texas on 8th April. Timed impeccably with a total solar eclipse, this noon performance is sure to be a celestial conjunction of music and the cosmos.

In keeping with tradition, Vampire Weekend has offered up a full track listing to whet the appetite:

  • Ice Cream Piano
  • Classical
  • Capricorn
  • Connect
  • Prep-School Gangsters
  • The Surfer
  • Gen-X Cops
  • Mary Boone
  • Pravda
  • Hope

Fans will recognize this album as the poignant successor to 2019’s ‘Father Of The Bride’, signalling a new artistic epoch for the band.

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