Damon Albarn Previews New Electro-Opera Sequel to Mozart’s The Magic Flute

Damon Albarn has unveiled details of his new electro-opera ‘The Magic Flute II: La Malédiction’, which premieres at the Théâtre du Lido in Paris on 27th March. The opera is based on Johann Wolfgang von Goethe’s 1807 work ‘The Magic Flute Part II’, a sequel to Mozart’s original 1791 opera that was never set to music.

“The idea of ​​me writing an opera and for it to be a continuation of The Magic Flute sounds ridiculous,” Albarn explains. “Not only was I grappling with the genius of Mozart but I had Goethe to contend with too.” He describes his creative journey, saying, “I suppose I took a relatively reductionist approach to the question, how the fuck do I do this? The answer came from a surprising source but one no less brilliant, Kraftwerk.”

Producer Jean-Luc Choplin, who previously collaborated with Albarn on ‘Monkey: Journey To The West’, shares insights on the project’s inception. “Reading Benoît Chantre’s book on Friedrich Hölderlin, I discovered that during an evening in Tübingen attended by Hölderlin, Schiller and Goethe, the latter mentioned writing a sequel to Mozart’s famous ‘Singspiel’, The Magic Flute.” His curiosity ignited, Choplin embarked on a quest for Goethe’s scripts and sketches, convinced that this was an opportunity to bring to life the opera Goethe had envisioned.

As Choplin eloquently states, “This electro-opera speaks to us of a possible ‘European night’, a reflection on our world amidst melting glaciers and blazing cities. It offers a fable of courage and optimism in turbulent times.” The blend of classic themes with contemporary relevance showcases Albarn’s unique vision and musical genius, spiriting audiences into a fresh realm of opera.

Be prepared for an immersive experience that marries the classical richness of Mozart with the avant-garde flavors of modern electro music. ‘The Magic Flute II: La Malédiction’ encourages contemplation beyond mere entertainment, inviting dissection of essential moral lessons at a pivotal moment in history. The premiere is fast approaching, and you won’t want to miss this revolutionary journey through sound and emotion!

Join the conversation around this groundbreaking work by following Damon Albarn’s updates and insights as the premiere date draws closer. Explore how this juxtaposition of old and new will shape the future of opera in the 21st century.