
The Serendipitous Journey of ‘Girl, You’ll Be a Woman Soon’ to the Pulp Fiction Soundtrack
Discover the fascinating story behind Urge Overkill’s ‘Girl, You’ll Be a Woman Soon’ and its iconic place in film history.

By VIBING
When it comes to unforgettable movie soundtracks, ‘Pulp Fiction’ tops the list. Among its eclectic mix, one cover song’s path to cinematic glory stands out.
It’s an anecdote Quentin Tarantino enthusiasts and music aficionados relish: the selection process for the ‘Pulp Fiction’ soundtrack—an intertwining of creative minds leading to an iconic film moment with Urge Overkill’s cover of Neil Diamond’s ‘Girl, You’ll Be a Woman Soon’. Here’s the captivating tale of how this Chicago quartet’s rendition became a cornerstone of cinematic music history.
- Revisioned Covers: Urge Overkill became renowned for their unique take on Neil Diamond’s classic. A cover that not only paid homage but also transformed the song into something fresh and contemporaneous.
- Musical Curation: Quentin Tarantino’s acute sense for selecting fitting tracks for his films is no secret. His penchant for aligning narrative and music has become part of his directorial signature.
- Star-Struck Decision: It was down to three songs, but Tarantino decided to involve Uma Thurman in the final choice—a decision that underscored the collaborative spirit of the film’s production.
- Chart-Topping Hit: The cover went on to become Urge Overkill’s most successful single, largely thanks to its exposure in ‘Pulp Fiction’—a testament to the power of cinema in catapulting music to new audiences.
In the mesh of creativity and serendipity, Urge Overkill’s ‘Girl, You’ll Be a Woman Soon’ stands as a compelling story of artistic collaboration, cinematic influence, and musical reinvention—elements that continue to resonate with fans and artists alike.