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The Unbelievable World of Michael de Albuquerque: From ELO Bassist to Antiques

Discover Michael de Albuquerque’s journey from ELO bassist to striking a chord with antiques and his surprising Formula 1 dilemma.
By VIBING
By VIBING
Imagine stumbling upon a full-scale Formula 1 car inside a hall of a modest home. This offbeat scenario is just one of the many eccentric anecdotes from the life of Michael de Albuquerque, the former ELO bassist who’s journey through music and antiques is nothing short of astonishing.

Picture this: a Formula 1 legend, encapsulated in your living corridor, static yet signaling an era of volatility and speed. George Harrison’s narration about assembling a behemoth racing machine from a kit, only to find it irremovably stationed indoors, astounds the imagination—it’s the thing of lore and garage tales intertwined within the fabric of rock’n’roll and racing fandom. This anecdote orbits the enigmatic life of Michael de Albuquerque—a musician who plucked the strings for ELO before turning his tune to the antique ilk. Here is someone who engaged with icons like Roy Wood, abridged from the ‘not very nice’ music industry cauldron, and repositioned his stage from the bass clefs to the fascinations of the past.

Bulleting down his extravagant career trajectory, here are the pulsating highlights:

  • Encounters with legends that shaped history, be it the Beatles or ELO’s own storm.
  • The camaraderie with Roy Wood that transcended music.
  • The behind-the-scenes accounts that culminate in a tell-all twist about the music industry.
  • A graceful pivot to the world of antiques—a stage less spotlighted yet steeped in reverence for history and craftsmanship.

Michael de Albuquerque’s ventures are getting their encore, with reissues of his solo work painting yet another stroke on his diverse canvas.
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