
Folkloric Figures Emerge in Malene Hartmann Rasmussen’s Shapeshifting Ceramics

Malene Hartmann Rasmussen’s ceramics draw inspiration from folklore in Scandinavia and her own childhood memories in Denmark. Her sculptures often shapeshift, revealing enigmatic figures and creatures associated with ancient customs. Rasmussen incorporates elements of nature and darkness, transforming seemingly ordinary objects into whimsical and symbolic artworks.
Malene Hartmann Rasmussen’s ceramics draw inspiration from folklore in Scandinavia and her own childhood memories in Denmark. Her sculptures often shapeshift, at first glance appearing as natural elements like foliage or berries, but revealing trolls and other folkloric figures on closer inspection.
In her work, Rasmussen references various traditions and customs from her childhood, such as making corn dollies during harvest rituals, taking part in Lucia processions at Christmas-time, and the presence of trolls. These memories and mythological elements serve as a rich foundation for her art.
One of Rasmussen’s intriguing pieces, titled “Treasure,” appears to be a basket filled with colorful gems. However, upon closer inspection, it is revealed to be woven from snakes, adding an element of surprise and symbolism to the artwork. Another sculpture, “Viper Weave #8,” features 20 intertwined reptiles, alluding to the transformative power of these creatures.
Rasmussen also incorporates creatures associated with darkness or omens, such as spiders, into her work. These creatures are adorned with jewel-like embellishments and vibrant pastel colors, creating a striking juxtaposition.
One particular sculpture, “The Tired Lioness,” is inspired by a family album and a page where her mother captioned one image as “The tired mom.” Rasmussen dedicates this piece to all exhausted mothers and dysfunctional families, capturing a sense of empathy and relatability in her art.
Throughout her artistic journey, Rasmussen has been fascinated by hybrid creatures and historic illustrations, like those found in John Bauer’s “In the Troll Woods.” These influences, along with her belief in the animistic connection between nature and spirits, contribute to the deeper meanings portrayed in her sculptures.









